Women In Jazz? For Artemis, It’s Bigger Than A Cause

[…] We sat in on a conversation between Cohen, Jensen and journalist Natalie Weiner, which touched on both the magical qualities of the group and some of the challenges its members have faced as female musicians in what’s still a male-dominated field.

“I don’t think we’re there yet, where somebody would look at a group like Artemis and just think of it as a band without actually having to mention, ‘Oh, it’s an all-woman band,’ or ‘It’s an all-female band,’” Rosnes says. But listen to the music in this show and you’ll understand how a project like this is making a difference — and plenty of noise, in the best possible way.

Listen to the interview here

Israeli Arts @ 70

“Israeli Arts @ 70” is a half-hour CUNY TV special, celebrating Israeli Arts in honor of Israel’s 70th anniversary. Hosted by Donna Hanover, this Special features a vibrant array of leading and emerging contemporary Israeli artists in Dance, Literature, Film/TV and Music: Anat Cohen, the top Jazz clarinetist in the world; Ravid Kahalani, founder and lead singer of Yemen Blues which combines Yemenite Jewish, Jazz and African music; critically acclaimed Israeli authors Ayelet Gundar-Goshen of “Waking Lions” and Ruby Namdar of “The Ruined House”; the internationally renowned Vertigo Dance Company, the first Israeli dance company ever to appear in London’s Royal Albert Hall; the exciting Israeli film directors Eran Riklis of “Shelter”, Mike Burstyn of “Azimuth” and TV director Keren Margalit of “Sleeping Bears” and much more. Jerry Carlson, host of CUNY TV’s “City Cinematheque”, and Lisa Beth Kovetz, CUNY TV Reporter, are also featured.

Get a front row seat to this special TV event! This Special was produced in collaboration with Israel’s Office of Cultural Affairs in North America at the Consulate General of Israel in New York, with assistance from America Israel Cultural Foundation, Jewish Book Council and Marlene Meyerson JCC Manhattan.

Read more here

Anat Cohen on the Art of Musical Uplift

“It’s important to me that music is an engine for feeling,” says Anat Cohen.

“If the music is grooving, then I respond. When everybody’s focused on that feeling, it’s elevating – for the people onstage, and for the audience.”

A clarinetist, tenor saxophonist and bandleader known to impart good feeling in almost any setting, Cohen is taking a moment to reflect on our fall fund driveFeeling Good with WBGO. It’s a theme that resonates with her — as an artist, as a person and as a WBGO listener herself.

Read more here.

DownBeat: 66th Annual Critics Poll

Happy Song comes in second in DownBeat's Jazz Album of the Year Critics Poll!

downbeat 66th annual critics poll.JPG

#2: Anat Cohen Tentet: Happy Song
Anat Cohen's Happy Song is the result of a diverse, remarkably talented cast of players, composers, and arrangers. Cohen wrote or co-wrote three of the tracks here, and the musical director for the project was Oded Lev-Ari. Cohen's clarinet work is consistently compelling throughout, whether she's exploring fusion on Lev-Ari's "Trills and Thrills" or unleashing the toe-tapper "Oh Baby."

Anat Cohen: Musical Zelig

All About Jazz - Anat Cohen: Musical Zelig

Since arriving on the New York City scene in 1999, via Tel Aviv and the Berklee College of Music, Anat Cohen has exhibited qualities in music where one wonders where she is going to be next—musically—and what group of musicians she will be associated with. She plays Brazilian music like she was born there. She swings her ass off with George Wein’s all-star band. If you can’t feel her when she blows some blues, a physical examination may be in order. Cohen’s choices spring from her wide-ranging tastes, her unabashed passion for all kinds of music—and the courage of her convictions to pursue them.

She plays in every genre with unbridled joy. Anyone who has seen this wonderfully talented reed player on stage can’t help but be touched by her elan.

Read more here.

"Happy Song" Among Best Jazz Recordings

anat cohen best jazz recording.PNG

Anat Cohen Tentet: “Happy Song” (Anzic Records): Clarinetist Cohen released three recordings in 2017, each worthy of inclusion on any list of the year’s best jazz recordings. But “Happy Song” stands as the most expansive, for it represents a celebration of the clarinet and shows Cohen’s eloquence in addressing jazz, Brazilian, klezmer, world music and other idioms. The title may seem sugary, but the music provides considerable emotional lift.

Read more here!